Trel Mack continues to create a strong presence on the internet! After a strong 2012 being featured on almost every top publication, the interview request are coming in constantly for Trel Mack. With the success of his EP "Inspired By Greatness" released under his independent label SKE Records, 2013 is destined to be even stronger for the Philadelphia artist! Recently Trel Mack spoke with Mafia Magazine radio on his rise as a artist and what he has planned for 2013!
Video: Malik B & Mars Co-Op (The Roots) "48 BARS" f/ Sunwun
Courtesy Sims PR.
Malik B and Mars Co-op of Philly's legendary Roots Crew
are back with a visual for their new single "48 BARS".
Malik and Mars - a.k.a. The TaliUp Boyz - have commandeered ultra-cool MC SUNWUN to help lay the bounce on this fun, braggadocious T.U.B. release:
Just as he did with his break-out solo mixtape, Premier Politics, Sir Michael Rocks released a revamped and entirely new companion piece to Lap Of Lux; Lap Of Lux 1.5, which features collaborations with Harry Fraud, his Cool Kid brethren Chuck Inglish and Cardo.
Video: Dice Raw f/ Raheem DeVaughn - "Somebody Loves You"
Courtesy Sims PR.
Rapper. Songwriter. Producer. Label CEO.
Philadelphia's DICE RAW of the legendary ROOTS Crew returns with a throwback sound crafted by fellow Roots producer KHARI MATEEN on "SOMEBODY LOVES YOU". Lending his smooth croon to this tune for the ladies is Washington D.C.'s incomparable RAHEEM DEVAUGHN.
Uptown XO continues to offer raw emotive rhymes that open windows to his world. The cold, gun toting exterior often belies the humanity behind it all. XO offers a story not unlike many with scarface dreams born of section 8, but fresh in its minutia the way only truth can be. The disection of this textured story's cycle from evictions as a youth to the echos from the fridge; from the sales of kush in orange bubbles, to the understanding of how it employs the lawyers, the judges, the DA, and the jail workers; - all poignantly wrapped in the phrase "damn, ni&&as just didn't want to flip burgers." Earnest reflection over ill production. The sometimes morbid take on life culminates with the mantra "I got mouths to feed till they put flowers on me."
Big Noyd, Large Professor and Kool G Rap are.. Naturally Born
As Coalmine Records edges closer to the 2nd Quarter release of their long awaited compilation, Unearthed, the Brooklyn indie drops the project's next single, "Naturally Born," which features Q-Borough mic veterans Big Noyd, Large Professor and Kool G Rap. Produced by the legendary Queens-based beatsmith Ayatollah, the soundscape is rooted in a Golden Era motif that boasts a scratch chorus courtesy of DJ Dutchmaster, who blends quotables from other Queens County icons such as Run-D.M.C., Nas, N.O.R.E., Royal Flush and Prodigy.
This Spring, Deep Thinka Records proudly presents "A Tour De Force", featuring indie hip hop darlings Coolzey and Raashan Ahmad on tour in the US and Canada in support of their upcoming new albums, Hit Factory and Cloud 9. Be sure to check them out when they come to your neck of the wood.
February 7: Cortez, CO @ Angel's End Zone
February 8: Durango, CO @ The Summit
February 9: Denver, CO @ Marquis Theater
February 11: Laramie, WY @ 3rd Street Cowboy
February 13: Omaha, NE @ The Hideout
February 14: Ames, IA @ London Underground
February 15: Des Moines, IA @ Vaudeville Mews
February 16: Osh Kosh WI, @ Reptile Palace
February 17: Appleton, WI @ Maritime Tavern
February 18: Minneapolis, MN @ Honey
February 20: Fairborn, OH @ One Eyed Jack's
February 22: Pittsburgh, PA @ Smiling Moose
February 23: Buffalo, NY @ Duke's Bohemian Grove Bar
February 25: Kitchener, ON @ The Firehall
February 26: London, ON @ APK
February 27: Peterborough, ON @ Splice Lounge
February 28: Toronto, ON @ The Central
March 1: Kingston, ON @ The Manson
March 2: Ottawa, ON @ Ritual Nightclub
March 5: New York, NY @ The Knitting Factory
March 6: Portland, ME @ The Big Easy
March 9: Cleveland, OH @ The Symposium
March 14-17: Austin, TX @ SXSW
After releasing his genre-defying debut full-length album, The Honey, Coolzey managed to amass an underground following worldwide, charting in the top ten for months on college radio stations in the US and selling out of the limited physical run before the year ended, leaving the rest to the digital world. Since then, he has toured nationally with Akil of Jurassic 5, Sadat X of Brand Nubian, and Joe Jack Talcum of Dead Milkmen; and collaborated on two genre-defying projects. Coolzey and the Search for the Hip Hop Hearts -- a record produced by 12 different indie hip-hop producers, including Crown City Rockers, Copywrite, J.Rawls, and Giant Panda -- and Live from the Cave @ Dougman, a lo-fi rock/blues/punk record which featured Coolzey spilling his soul onto a dilapidated cassette 4-track in a windowless room in Echo Park, then later taken into the studio and polished with keys and saxophone by world-renown engineer Eugene Toale, who has worked with Kanye West, Raekwon the Chef, Black Apples and much more. His upcoming album, Hit Factory, is due out this Spring, if he finishes it in time.
Bay Area-based rapper Raashan Ahmad is the figurehead of the live hip-hop group Crown City Rockers, which released the album Earth Tones in 2004. He has received critical acclaim from worldwide press and has collaborated with brilliant and respected artists such as Chali 2na (Jurassic 5), Gift of Gab (Blackalicious), Aloe Blacc, Keren Ann, and Greg Errico (Sly and the Family Stone). In 2008, his album Push was released on OM Music and the album For What You’ve Lost was released in 2010 via A Champion Sound. His new album is very tentatively entitled Cloud 9.
Sebastien Elkouby's Confessions of a Failed Hip-Hop Publicist
It's time I throw in the towel. As a freelance publicist who specializes in promoting up and coming rappers, it looks like 2013 will be the end of the road for me. As a 40 year old Hip Hop head who grew up on Afrika Bambaataa, Melle Mel, Run DMC, Public Enemy and Rakim, my mission in life has always been to promote this culture I love. But the game has changed and so have I.
Throughout the 80's, 90's and 2000's, I wore many hats as a talent scout, freelance journalist, publisher, promoter and publicist trying to use my influence to promote rap music with substance. I was so committed to using Hip Hop as a form of empowerment that I even created one of the nation's first full time educational Hip Hop program for middle and high school students. Everyday for five years, I taught six periods of Hip Hop culture education to hundreds of students who never imagined that Hip Hop could be offered as a regular class. It was magic! Lives were changed, students were motivated to better themselves and I became an award winning teacher in the process. California's economic crisis put an end to the magic in 2011 when my program lost its funding.
I returned to the entertainment industry as a freelance publicist with the goal of promoting quality Hip Hop. How foolish I was! Between 2011 and 2012, I found myself turning down more potential clients then I was bringing in. The idea of working with aspiring artists who sounded just like Big Sean, Rick Ross, Nicki Minaj or 2 Chainz disgusted me. And those few artists who did have something of substance to offer had little to no money or lacked the drive to take their music to the next level. Everyday my inbox would fill up with rappers requesting my services to help promote their songs about ass, weed, guns, cars, strippers, sex and money. As a freelancer striving to establish myself, I should have been thankful for generating so much business and could have watched my bank account grow, regardless of the musical quality. But as a husband, father and all around socially conscious person, I couldn't. As a man, I couldn't.
Behind every mainstream rapper glorifying money, sex and violence, there is a cast of managers, publicists, lawyers, program directors, DJ's, bloggers, journalists, producers and other industry executives working hard to make that artist a household name. Behind every Chief Keef, Tyga and Trinidad James, there are college educated men and women whose job it is to promote music that contributes to the dumbing down of our youth. Behind every music video full of half naked girls, there are casting agents and directors who would never allow their own daughters to portray themselves in such light. Behind every rapper who claims to be a thug, there are countless professionals who send their kids to private schools while promoting music which sends our kids to prison. Behind every mainstream rapper on BET, MTV, Hot 97, Power 106 and any other popular station in your city, there's a Clear Channel, Viacom, Emmis Communications and Radio One made up of powerful decision makers who would never in a million years listen to the kind of music they get rich promoting. And behind every rapper with a criminal record, there's a publicist spinning a story to make crime more marketable.
Enough is enough...at least for me. For years I've heard the lame argument that this is simply the nature of business. I'm sick and tired of it. Businesses don't run themselves, people do. Sure, these companies may only provide what the public is demanding but at what human cost? Aren't corporations supposed to have some form of Corporate Social Responsibility (CSR) which ensures that companies operate in an ethical manner? Pardon my naiveté but is expecting people to place morals over profit completely unrealistic nowadays? Truth is, at one point, I was hoping to establish a successful music business model which would have been both profitable and “humane”. I guess I wasn't that smart.
It's obvious now that I'm not built for this. I'm cut from a different cloth than my music industry peers. So I'm out. No one will miss me. And while it might be hard to find another career path at 40, the idea of resurrecting my educational Hip Hop program sounds exciting because I'll be working hard to make a real difference in the lives of young people. Searching for funding won't be easy in this economy but it's worth pursuing much more than any corny illusion and destructive images the entertainment industry tries to sell. Don't get me wrong, I still love Hip Hop. I'll still support new and creative artists as I always have. I'll still make beats because I love music. I'll still be as vocal and opinionated as ever. I'm not giving up at all. I'm just finally free from trying to convince myself that this sick and twisted industry can really be changed. I have real work to do now and this is just the beginning. Peace.