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Friday April 18, 2014
RapReviews.com
Feature of the Week

[PTSD] PTSD.

Pharoahe Monch Review

Latest News Headlines
MP3: Dorrough feat. Ray J - "Breakfest In Bed"


From Chris at Koch/E1 Entertainment:

MP3: Dorrough feat. Ray J - "Breakfest In Bed"

* http://sharebee.com/644edfb4 *

ALBUM IN STORES TODAY!

MP3: Rah Digga - "Straight Spittin' IV"


From Audible Treats:

MP3: Rah Digga - "Straight Spittin' IV"

Digga's Latest Single Continues "Straight Spittin'" Series

The Song:

After last week's release of "This Ain't No Lil Kid Rap (Remix)" featuring Redman, Rah Digga continues to preview her much-anticipated sophomore LP, Classic, with "Straight Spittin' IV." Producer Nottz worked this and every song on the album and the collaborative power the two artists share is on full display here.

Those familiar with Rah Digga's past work may recognize "Straight Spittin' IV" as the latest in a running series of "Straight Spitttin'" tracks, the second of which appeared on her debut, Dirty Harriet. This installment features Digga in peak form, rapping energetically over a propulsive, guitar-based instrumental. You can hear the conviction in her voice and, when she delivers lines like "I'm spittin' till I'm thirsty, but I don't need a chaser / I'll probably be spittin' 'till the day I meet my maker," and "Straight spittin' on it, you could call this Illimatic / Think I'm lying when I say I got a basement for an attic / I'm spittin' for that cabbage, that scrilla, or that fetti / That hold up press rewind spittin', I don't think they're ready," you know she's telling the truth.

Rah Digga's sophomore album, Classic, will be available September 14th via Raw Koncept Media Group.

Download the clean version of Rah Digga's "Straight Spittin' IV" here: http://media.audibletreats.com/Rah_Digga-Straight_Spittin_IV-Clean.mp3 .

The dirty version of the song is now available on iTunes. http://itunes.apple.com/us/album/straight-spittin-iv-single/id389765801 .

PR: DL Releases "King Of Paper Chasin'" Lead Single


From Yo! PR:

DL Releases "King Of Paper Chasin'" Lead Single

MP3: DL - Fresh (Shawty...Move Sumthin')
Radio: http://limelinx.com/files/55f2f4e6d1b46f49a090979a4ae69153 .
Club: http://limelinx.com/files/078601157a78c553a3c0d7d401248183 .
Instrumental: http://limelinx.com/files/33188a4ade296c2bf1bb10f6b382f4eb .

Aspiring actor, filmmaker, and rapper DL releases the official lead single, "Fresh (Shawty…Move Sumthin')" from the critically-acclaimed Crime/Drama film "King Of Paper Chasin'", presented by Triplebeam Pictures in conjunction with E1 Entertainment and AllHipHop.com. "Fresh" is a high energy street banger coming straight out of the streets of NYC.

The semi-biopic "King Of Paper Chasin'", directed by La Monte Edwards, is available in select cities on September 17th, 2010. The New York City Crime/Drama is inspired by actual events and is brilliantly captured and told by first time feature film director La Monte Edwards, executive produced by Dwayne "DL" Clark himself, who plays the role of main character "Carter Blanche", while Actress/Model Piarry Oriol takes on the role of DL's distrusting girlfriend "Thaila". Additional cast members include Lauren Hooper ("Rachel Anderson"), J. Stephen Williams ("Uglyman"), Joe Soma ("Agent Richardson"), Jason Rivera ("Dell") and Dennis L.A. White ("JB") among others.

SYNOPSIS: In the city of 9 million people, everyone is engulfed in the everyday rat race chasing that almighty dollar. This movie tells the story of one of its own Carter Blanche (Dwayne "DL" Clark), a self-made entrepreneur who prides himself on the unconventional pursuit of money and success and the dream of becoming a Rap star. Carter has staked his claim to the American dream but history teaches us that behind every wealthy empire is a major crime -- Carter's rise to power is no exception. Trying to go legit to leave his past ways behind, Carter is faced with deception, betrayal, and self serving agendas from those closest to him and must maneuver his way through all those who want to crumble what he has built. As he determines who's friend or foe, the decisions Carter makes can, and will cost lives.

MOVIE TRAILER: www.youtube.com/watch?v=J_sOAQkeybE .
MOVIE POSTER: www.yo-pr.com/pictures/king_of_paper_chasin_cover.jpg .

ARTIST PICTURES
* www.yo-pr.com/pictures/dl.jpg *
* www.yo-pr.com/pictures/dl1.jpg *
* www.yo-pr.com/pictures/dl2.jpg *

WEBSITES
Official: www.triplebeament.com .
MySpace: www.myspace.com/dltriplebeam .
Twitter: www.twitter.com/dl_triplebeam .

PR: Les Claypool Becomes Professor at Funk University


From Dunn Deal PR:

Les Claypool Becomes Professor at Funk University

Primus bassist/frontman joins an all-star teaching lineup at the world's first Funk University

Beginning this week, Les Claypool of Primus begins his tenure as the latest in a remarkable line of world-renowned guest professors at the Funk University (www.thefunkuniversity.com), the online bass guitar school created and curated by the legendary Bootsy Collins. The eccentric Primus frontman joins the likes of Victor Wooten, P-NUT, Meshell Ndegeocello, John B. Williams, Divinity Roxx, Dennis Chambers, Thee Ram Jam, Frankie "Kash" Waddy, Bakithi Kumalo, Blackbyrd McKnight, TM Stevens, Norwood Fisher and Bootsy himself as part of the most esteemed collection of bass guitar luminaries ever assembled, sharing the wisdom that made them greats. Each day, new multimedia content – everything from lessons and tutorials to lectures on funk history and philosophy - is premiered at F.U.’s ‘virtual campus’ for the benefit of enrolled students.  Periodic staff reviews of students’ performance and an assortment of community tools make the F.U. experience fully interactive.
 
Claypool is a bass guitar trailblazer. Primus’ breakthrough 1991 album Sailing The Seas Of Cheese was for many their introduction to ‘funk-metal’, a genre Claypool has become synonymous with thanks to his frenetic, virtuosic combination of strumming, tapping and slapping, a style which and has spawned legions of imitators. Claypool is also one of the most unique personalities in a field bursting with them. Album titles include Pork Soda, Suck On This and Animals Should Not Try To Act Like People, and aliases Colonel Claypool and Snapdad are just two of his many outlandish aliases. But make no mistake: musicians and fans worldwide know that when it comes to skill, Claypool's bass licks are no laughing matter.

Bootsy's Funk University is produced by SceneFour, the notorious L.A. creativity house responsible for projects wit h Al Gore's Current TV, MTV-U, Nine Inch Nails, the RZA, Fishbone, Public Enemy, Helmet, Marilyn Manson, The Pixies, and Beck. Interested players are encouraged to sign up for exclusive information at http://www.thefunkuniversity.com .

* www.dunndealpr.com *

Video: Jon John TV Episodes 31-32


From J-Ronin:

Video: Jon John TV Episodes 31-32

Random: $3000. Free Album. Wow.


From Random a/k/a Mega Ran:

$3000. Free Album. Wow.

WOW. We made it. Thank you. You made my birthday (It was Friday,
btw) the best ever!

in case you missed it, we gave away some great free music when we
hit 1k, 2k and 3k...

FREE SONG 1

"Cheetahs Never Win" (Cheetahmen 2)
Produced by DCT (SonicSkillz)

* http://tinyurl.com/KSbonuscut3 *

AND Now... the big prize.

In response to the overwhelming fan support, I decided to release
a special album for free, entitled Heroes, Volume One. The
10-track album features production by DN3, EOM, CJ and myself,
sampling records from music icons like James Brown, Marvin Gaye,
The Jacksons, Stevie Wonder and more.

DOWNLOAD Heroes Volume One now for free:

* http://www.kickstarter.com/projects/megaran/forever-famicom-the-nes-talgia-continues-in-a-dvd *

we want to get to $4000, which will help us to work on new songs,
hire artists, maybe even a publicist to work the project. Lets go!

Thank you.

Ran

The (W)rap Up - Week of August 31, 2010


[Kill Devil Hills]Ill Bill & DJ Muggs :: Kill Devil Hills
Uncle Howie/Fat Beats Records

Author: Steve 'Flash' Juon


"Your favorite underground rapper's favorite underground rapper is probably Ill Bill. As William Braunstein nears the age of 40, some may say he missed his opportunity to become a superstar in hip-hop let alone a household name in the mainstream. Bill himself is undoubtedly fine with that. His career raps put the "rugged" in "ruggedly uncompromising," and his obsession with government conspiracy theories and the Illuminati aren't exactly marketable at the top of the Billboard charts. Something clearly gnaws at Bill though - album titles like "What's Wrong With Bill?" reflect his doubts and concerns. His woes are the curse of the indie rap star - a major figure in a minor market trying to survive off touring and album sales even while the stores like Fat Beats which once moved units for him are all going out of business. "

Bizzy Bone :: Crossroads 2010 :: Sumerian Records
as reviewed by Steve 'Flash' Juon
[Crossroads 2010]

"It should be noted right at the start that "Crossroads 2010" may have the strangest Bone related cover art of all time. The album shows a figure (presumably McCane) reaching up toward a microphone bathed in heavenly light for salvation, standing at what are the crossroads of his life. UFO's float in the sky on either side on this heavenly instrument - we're talking Ed Wood sci-fi D-movie level UFO's. The ground around him is littered with broken skulls and empty liquor bottles (telling). On one side of the crossroads he stands at is Stonehenge, on the other side is the Sphinx and an Egyptian pyramid with its peak replaced by the Eye of Providence. The artwork's confusing miasma of symbolism is relevant for Bizzy Bone as it seems to reflect the equally confusing "Crossroads" song choices, as if the artist tried to work each and every title into the cover visually. Yes - there IS a song called "Stonehenge." McCane speaks of biblical prophecy and personal struggle in it"

http://www.rapreviews.com/archive/2010_08_crossroads2010.html

Compton's Most Wanted :: Music to Driveby :: Epic Records/Sony Music
** RapReviews "Back to the Lab" series **
as reviewed by Steve 'Flash' Juon
[Music to Driveby]

"Groups like Compton's Most Wanted obliged. While many other rappers who bragged about their gangster credentials or alleged Compton street addresses fell to the wayside, CMW's leader Aaron Tyler b/k/a MC Eiht was born and raised in Compton. Were he not a compelling and interesting rap artist that would've been meaningless, but as it turned out Eiht's voice resonated across the rap landscape. In fact Eiht's trademark "g'yeah," his emotional delivery and distinctive California drawl ("peel" sounds like "pill" and "bolder" sounds like "border") made him an instant fan favorite to the detriment of fellow group members like Boom Bam and MC Chill. When Chill got sent to prison in 1991, the group became a group in name only. Much like Boogie Down Productions in the 1990's, the name existed for marketing purposes, even though KRS-One was the only member of the group people recognized and the only one heard rapping on the albums. "

http://www.rapreviews.com/archive/BTTL_musictodriveby.html

Dillinger :: CB200 + Bionic Dread :: Hip-O-Select/Island Def Jam
** RapReviews "Back to the Lab" series **
as reviewed by Patrick Taylor
[CB200 + Bionic Dread]

"Jamaican music has always been dominated by the dancehall.  They were controlled by the soundmen with the biggest, most powerful systems, many of whom became successful producers. They were ruled by selectors with the rarest 45s and their chatty deejays keeping the crowd pumped up. The key to the success of any any Jamaican sound system in the sixties and seventies was having the newest, rarest tracks. That often involved working with labels to get a steady stream of unmarked 45 containing exclusive songs. Soon the Jamaican engineers were experimenting with versioning songs, which began as simple instrumentals, and eventually became the weird and wonderful world of dub. These exclusive versions were a must for any successful sound system. "

http://www.rapreviews.com/archive/BTTL_dillingerbionicdread.html

Eloquor :: Charge :: Myspherical Entertainment/Obese Records
as reviewed by Pete T.
 
[Charge]

"With a heavy accent and versatile delivery, no one would mistake him for anything but an Australian, but his 2010 sophomore effort "Charge," distributed through celebrated Victoria-based label Obese Records, should appeal to listeners the world over. Undeniably hungry and impassioned on the mic, he enlists a roster of producers that will impress even those completely unfamiliar with Aussie hip hop including international favorites M-Phazes and Slimkat78 of the 1978ers. The beats are an immediate draw, with rich and appealing music throughout, in the words of the press release, "digging deep into the aural landscape of New York's hip hop roots." Exploring a range of tempos and moods, the sizable team of producers lends a consistent quality to Eloquor's tracks which results in some seriously dope songs. "

http://www.rapreviews.com/archive/2010_08_eloquorcharge.html

The Let Go :: Morning Comes :: MySpace.com/theletgocrew
as reviewed by Guido Stern
[Morning Comes]


"In the past several years, various artists from Seattle and the greater Pacific Northwest have popped up and skimmed the border between regional and national underground recognition—Blue Scholars, Common Market, Grayskul, to name just a few. Whereas less likely hip hop locales such as Minneapolis and North Carolina have proven formidable breeding grounds for talent in recent years, the inability of these artists to break through may be due to their lack of a distinct local sound. This is a potential constraint The Let Go might consider, as they prove perfectly serviceable emcees and producers on their latest LP, "Morning Comes," but not much else. As "conscious" backpack rapping goes, they're unable to compete with Blue Scholars or Common Market, and their second-gear frat rap, like most frat rap, only provides situational amusements. "

http://www.rapreviews.com/archive/2010_08_letgomorningcomes.html

London Posse :: Best of London Posse: Gangster Chronicle :: Wordplay Records
** RapReviews "Back to the Lab" series **
as reviewed by Matt Jost
[Gangster Chronicle]


"The Posse had debuted in 1987 with an eponymous single, followed up one year later with the classic "Money Mad," an alternate version of which opened the longplayer two years later. Up until that point, the domestic rap scene had been mostly aping American hip-hop. Bionic and Rodney provided a radical counterpoint, embracing their West Indian roots and British identity. There was a strong Jamaican influence in London Posse's vocals and beats. While Rodney P combined cockney and yardie in a more straightforward rap manner, Bionic toasted more distinctly inna ragga style.

By their own acknowledgment, at the time reggae and ragga were much more popular among black British youth than rap, which makes "Gangster Chronicle" more than just one of UK hip-hop's first full-lengths, but also an early serious attempt to adopt the artform to British conditions (a process that some would say has not been completed to this day)."

http://www.rapreviews.com/archive/BTTL_londonposse.html

Darryl Moore :: Where I'm At :: SomeOthaShip Connect
as reviewed by Guido Stern

[Where I'm At]

"Where Stones Throw artists are generally blessed with the innovative, unorthodox production of artists like Madlib and J Dilla, the bulk of "Where I'm At" is handled by Moore, Ivan Johnson, and Derek "DOA" Allen, a former collaborator with Bobby Brown, Tyrese, and more recently, Brooke Hogan. Eek. As a result, the album's sound is much more homely, using live instruments and layered vocals that make sense beside its traditional lyrical content. When Moore isn't lovingly paying homage to his mother ("She's My Everything," "Soul Sista"), he's describing the awesomeness of family barbeques with noticeably redundant lyrics ("805 Sundaze," "Family Funday"). The crooner has a rich, choir-trained voice that easily translates the conviction of his lyrics to the listener. He's at his best on tracks like "DreamGirl" and "Fed Up," where he's given the freedom to change keys fluidly without losing the thread of the song. But too many tracks on "Where I'm At" are overlong, overstaying their own languorous goodwill and transforming themselves into background music"

http://www.rapreviews.com/archive/2010_08_whereimat.html

The Nonce :: World Ultimate :: Wild West/American Recordings/Warner Bros.
** RapReviews "Back to the Lab" series **
as reviewed by Pete T.

[World Ultimate]

"Part of "World Ultimate"'s charm certainly lies in its elusiveness, both on the part of the group and the album itself. Long out of print, it regularly commands stratospheric prices among collectors, but the duo proved equally fleeting. Their only subsequent release was a quiet EP in 1998, and two years later Yusef died at age 28 on Interstate 110 in L.A. Nouka can hardly be said to have carried on the torch; despite sporadic recording under a new moniker Sach, none of his solo LPs so much as found national distribution. It's always sad and mysterious when such an obviously talented group disappears without realizing their potential, but the Nonce's untold tale seems particularly unusual, marked by tragedy in addition to the all-too-familiar issues of label drama and creative differences. "

http://www.rapreviews.com/archive/BTTL_worldultimate.html

Sam Khan :: Only One Me :: {self-released}
as reviewed by Pedro 'DJ Complejo' Hernandez

[Only One Me]


"UK Hip-Hop is a fascinating case study in the culture. It both mimics and trails the American hip-hop movement. On the one hand, British emcees still build their reputation in fierce battles that are wildly popular amongst the youths. On the other hand, once an emcee blows they tend to mimic what's hot and popular rather than finding their own way. Sam Khan is no different. The man made his name in UK's battle circuit; overcoming stereotypes that fueled cheap ethnic punch lines from his opponents. He cashed in on his popularity online, dominating everything from twitter to youtube. His latest release is a free album, distributed online, and followed up with a single and video for a future album. Sadly, "Only One Me" is a misguided and bland effort that overshadows a clearly talented emcee."

http://www.rapreviews.com/archive/2010_08_onlyoneme.html

Video: Sway feat. Klayz - "Bring Me"


From 7Thirty Online Promotion:

Video: Sway feat. Klayz - "Bring Me"

Video: French Montana's First UK Video Interview


From J-Ronin/All Elements:

Video: French Montana's First UK Video Interview

MP3: Nicki Minaj feat. Will.I.Am - "Check It Out"


From BF Blasts:

MP3: Nicki Minaj feat. Will.I.Am - "Check It Out"

* http://tinyurl.com/NickiMinajWillIAm *


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Welcome to RapReviews.com for the week of April 15th, 2014!! Please like us on Facebook and shop Amazon through RapReviews so we can bring you new material every week. This week we have the following new items for you: Chuck Inglish's "Convertibles," Grieves' "Winter and the Wolves," Jeep Ward's Subways & Sidewalks #21, Steve 'Flash' Juon's The Hip-Hop Shop #266, and an update on this week's delay, Nas' "Illmatic XX," Pharoahe Monch's "PTSD: Post Traumatic Stress Disorder" (our featured review) and Emanuel Wallace's The (W)rap Up for April 8, 2014!

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