Alterbeats continues the album campaign for their debut producer compilation The French Revolution with the visuals for the album cut "True Rhyme," featuring Divine of Brooklyn's Walt Whitman Houses, which was once home to Just-Ice and Ol' Dirty Bastard. A dedicated student of the craft and inspired largely by The God Emcee Rakim, Divine takes you on a tour of his world; from his project stairwells and rooftops, to the lab and to his house of worship and back. "This is true rhyme, true crime, true divine/ Get paid for my displays, what I move through the mind/ My days shine, bless a pen with a smooth rhyme/ You get lost in my thoughts, but get it in due time." The French Revolution is now available!
Neopolitan is much like the ice cream it is named after. It’s a mixture of Reggae, Electro, Disco, Soul, Hip-Hop, Rock, Dubstep, and R&B, flavors all blended into one creamy collection. When Dorsh Deans sat down to conceptualize the Neopolitan album, Dorsh realized with his given “Jaminglican” (Jamaican, English, and American) heritage, that he was in a unique position to represent a significantly large group of people authentically. Having spent his entire life as a soccer player in the U.S. and abroad, he wanted the album to mirror the workings of the World Cup, and its function to bring people together from all parts of the globe. Soccer exposed Dorsh to many cultures and he felt it was only appropriate that he share my experiences through another universal language, music.
Dorsh made Neopolitan to show people that it is ok to be yourself, to celebrate differences, and to embrace more than ONE kind of music! People learn the best through music, and Neopolitan presents a new way to grasp the concept of a “diverse” album and artist.
In the past year, Dorsh has been featured on several top music blogs and radio shows domestically and Internationally. On February 24, 2012 his debut single "Je t'aime", from the Neopolitan LP, premiered at #10 on Hypem's popular music charts. Amidst performing with a wide range of artists from LTJ Bukem & MC Conrad to Talib Kweli, Dorsh has done remix work for FADERLABEL in NYC, engineered for Ska Rebirth in Kingston, and mastered for Asahi Brewery in Tokyo. Successfully earning his stripes in the as an engineer/producer, Dorsh is now ready to transition from behind the board to behind the mic with his debut LP Neopolitan for Rad Summer!
Lo Keys Hooks Up With Glasses Malone & LiveSosa For A Cut Entitled "Love 2 Rock" Off His Upcoming Mixtape "American Greed" (Scams, Schemes, and Broken Dreams) Dropping Next Friday Hosted By Big Mike & Dj Woogie.
On July 17th, Pittsburgh, California, rapper A-Wax will release his new album, Everybody Loves Me: Chapter 1. The project, which includes features from French Montana, Styles P., Mistah FAB, and more, and as release date approaches, Wax is excited to release the album's lates visual, for the track "Yeah Right."
"'Yeah Right' came about from riding with YG Hootie and Brick Squad Monopoly, and seeing how far some people go to be down with them," explains A-Wax, who's no stranger to the hanger-ons himself, having spent time around plenty of them as a part of Akon's Konvict Muzik. "One of them even started a 'Brick Squad Mafia,' and a lot of people don't even know that it's not real," he adds, laughing as he litters humorous lines throughout the song to drive home his point. "Don't know her name, letting me rub on her booty," he raps. "Fronting like she ain't only come to meet Hootie."
Wax wrote the song while hanging out with Brick Squad during Drake's recent Club Paradise Tour, and so, it was only natural for the visual to reflect that time, put together using a collection of in-studio footage and behind-the-scenes shots from his time on the tour that includes cameos from Waka Flocka, French Montana, Whoo Da Kid, Ty Dolla $ign, YG Hootie, and more.
Video: Smiler - "Rocksteady (All Star Remix Video)"
South London rapper Smiler is fast becoming one of 2012’s biggest breaking new talents following the reception greeted to his current mixtape ‘All I Know’ which received thousands of downloads on the day of its release. Now Smiler’s ascension continues with the June 11th release of his Warner Bros. Records single ‘Rocksteady’.
Produced by Jamal Hadaway (Labrinth, Lethal Bizzle), the heavily rhythmic ‘Rocksteady’ bounds with boisterous beats which accompany Smiler’s ultra-confident lyrical flow and features Sneakbo. A second all-star version of the track again features Sneakbo, this time alongside Don Strapzy, S.A.S., Shotty Horroh, Random Impulse, Tyler Daley, DVS and Bigz.
Smiler has already become a mainstay at 1Xtra where his tracks have been playlisted for a total of over 20 weeks, with 4 of those weeks on the A-list, while further radio support has been provided by Radio 1’s Zane Lowe who named both Smiler’s track ‘Spender’ (which includes additional vocals by Lana Del Rey) and Smiler’s guest appearance on Jakwob’s ‘Right Beside You’ as his Hottest Records of the Week. Tracks from the mixtape have also been played by Huw Stephens at Radio 1, Mistajam at 1Xtra, DJ 279 at Choice, and DJ MK and Shortee Blitz at Kiss. Zane Lowe also named Smiler’s single ‘Delorean’ as his Next Hype.
Named alongside Nicki Minaj as one of NME’s Top 5 Rappers, Smiler has also been featured in a diverse array of publications including The Guardian, The Daily Star, RWD, Pride and Lime.
In the live arena, Smiler proved to be a popular addition to this year’s MOBO tour (during which he created a tour diary for Urban Development) and was then personally invited by Professor Green to join him on his full UK tour which culminated with a major London date at Brixton’s O2 Academy. Smiler also toured with Wale.
Professor Green is just one of the many artists that have recognised Smiler’s undeniable talent. Green and Tawiah both guest on Smiler’s track ‘Top of the World’ which will be released late in the year. Opening with ‘Delorean’ which features Wretch 32, the ‘All I Know’ mixtape also highlights the talents of Bigz and Crafty. Lady Leshurr contributed to an alternative version of ‘Delorean’, while Smiler’s interpretation of ‘Spender’ also included additional vocals courtesy of Lana Del Rey.
Vitally, Smiler is also connecting with an audience as his fast escalating online profile proves: his YouTube channel is approaching 500,000 views, he has 8,000 likes at Facebook and a further 10,000 Twitter follows, while his Soundcloud page has received 36,000 plays.
Smiler is an artist for whom doing things his way is vitally important. Years of self-promoting his music has created a fiercely independent spirit – what other rapper could reference Amir Khan, Rihanna’s ‘Umbrella’ and favela flick ‘City of God’ in a single song and then on the next track address the social issues that inform his environment? Honesty, intelligence and sheer talent are the cornerstones that guarantee that Smiler will be an artist worth keeping an eye on.
With his latest solo album, It Gleams, released in early June, Kid Static has been keeping plenty busy. In addition to the remixes and non-album tracks that he's been feeding fans over the past weeks, the LA-via-Chicago rapper/producer united with Windy City production team The Hood Internet for a collaboration that will appear on their upcoming album, FEAT. Static also continues to host his weekly webcast on Stickham.com, which airs every Sunday, and recently pulled in over 80,000 listeners for a single episode. Today, Static is excited to release yet another new track for fans, "World Goes Round."
The song, which premiered on DJBooth, finds Static delving a little deeper than he has with recent singles "T-Shirts & Sneakers" or "Rocks & Toothpicks," as he offers commentary on the way that average citizens interact - or, more appropriately, choose to not interact - with current and wordly events. "Yes, there are economic and societal injustices," remarks Static, speaking on what he feels is a prevailing world-view for most. "But I'm having a hard enough time doing me to worry about that."
The track, which will appear on a forthcoming EP, It Gleams: B-Sides, skillfully matches his tongue-in-cheek lyricism about the status quo with a stirring, violin-sampled beat provided by producer Maker, along with some jazzy vocal accents from Jimetta Rose. "I think the energy and skill that they brought to the table really helped push me as an artist," says Static. "They really understood where I was trying to go with it, and the execution of the track was better for it."