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Little Dragon's "High" Gets Remixed By Michael Uzowuru & Jeff Kleinman and Featuring Denzel Curry & Twelve'len

Little Dragon's "High" Gets Remixed By Michael Uzowuru & Jeff Kleinman and Featuring Denzel Curry & Twelve'len

D.E.: Grammy-nominated Little Dragon have announced their long-awaited new album Season High, out April 14th digitally on Loma Vista Records (CD + LP in stores May 5th). This is the first new music from the electro-pop band since they released their acclaimed 2014 album, Nabuma Rubberband. Season High was produced by Little Dragon, with co-production and mixing by James Ford, in their hometown of Gothenburg, Sweden. Pre-order for the album can be found at, iTunes and Amazon.

Discussing the process behind recording Season High, lead singer Yukimi muses, "We have grown through the years but the making of this album has been a struggle. As much as our band is based on a deep friendship we are four strong wills who find it really frustrating to compromise. We have gotten better at that though, but it's still a real battle. It gets harder and harder for us to make records but we still love it. Sometimes it feels like we have 100% passion and life or death emotions yet there's a pointlessness with everything. We want to exist in our own bubble where we can stay curious about sounds. The magic feeling that sounds can sprinkle over any boring day is what got us all hooked. That feeling of escapism ...maybe because Gothenburg is a grey place for most of the year, our curse and blessing is that we never quite succeed."

Little Dragon had previously shared a song off the new album, titled "High." And today, the band has shared the another new song from the new record, "Sweet," a saccharine-induced dance floor number framed by Yukimi's lush vocals. Stream/Buy "Sweet": Amazon, Apple, iTunes, Google Play, and Spotify.
Video: King Myers - "Puerto Rico" (@RealKingMyers)

Video: King Myers - "Puerto Rico"

Urge: To keep the consistency rolling, he premieres the official music video for his song "Puerto Rico", produced by DJ Mustard. The video takes place in San Juan, Puerto Rico, & was filmed / directed by King Myers himself.

Audio: Ray Dawn - "Maxes On My Feet" (@RayDawnThe86th)

Audio: Ray Dawn - "Maxes On My Feet"

M.S.: Pittsburgh rapper, Ray Dawn releases a new single called “Maxes On My Feet” after an incident gone left on Instagram. For fans and followers of the law school dropout turned artist, it is clear to see that he is a lover of Nike's Air Max 90 OG Infrareds. (We mean…why the hell not...they’re dope).

Shawty Lo Posthumous Album "RICO" Available Via 300 Entertainment

Shawty Lo Posthumous Album "RICO" Available Via 300 Entertainment

L.G.: In hip-hop, the posthumous release is almost a subgenre unto itself. Premature death has a way of elevating artists into instant icons, forever immortalized by their final recorded words. When Carlos "Shawty Lo" Walker died in a tragic car accident last September at the age of 40, his untimely passing felt like the death of old Atlanta. On R.I.C.O., he resurrects it with an autobiographical portrait of his own bootstraps journey from discarded youth to 1990s drug dealer in the westside neighborhood known as Bankhead.

Most rappers flash their hood credentials to gain notoriety. Not Shawty Lo. He gave Bankhead cred by virtue of his own renown. Unlike the average artist, he entered the music game already a street legend. That's why fellow Bankhead native T.I., who was already a star, couldn't simply leave Lo's 2008 diss record "Dunn Dunn" uncontested. The battle wound up being beneficial to both of their careers and ended in reconciliation, with the two of them living in neighboring mini-mansions.

But the King of Bankhead — as Lo was known in life and remains in death — was always an industry underdog in a city chock full of rap celebrities and hip-hop squares. He wasn't a natural emcee, but a born hustler who became one of southern rap's most influential, if underappreciated, figures. Beyond the street pedigree and criminal glorification inherent in trap music, Lo rose to represent a spirit of ingenuity native to Bankhead and Bowen Homes, the city's largest housing project and Lo's longtime home before it was demolished in Atlanta's successful effort to be the first major city to phase out its public housing.

Consider R.I.C.O. the last brick in that demolition. It's both a celebration and a mourning of life — but also a recognition that, despite Lo's rough start, a success story emerged from such dire circumstances. He doesn't rap as much as charm his way through tracks, with a reed-thin, sandpapery voice that sounds like he's literally scratching his way to the top. Part of Lo's understated charisma has always been based in his sly delivery of dope-boy braggadocio. He offers more of the same on such songs as "Cookin'" featuring Yung Ralph, where Lo raps tongue-in-cheek about his whip appeal in the kitchen while cooking up bricks of coke. But on one of several somber standouts, "Do It," he adds levity with a confessional tone: "I ain't had s—-, my life was rough / Barely had food, no toys for us," he raps. "Lionel Playworld no Toys R Us."

Raised by his grandmother while his mother battled addiction, Lo would eventually become a product of the same streets. But he doesn't wallow in his past for long here. He likes to celebrate his success with boastful lines that belie his humble persona in real life. "And I don't believe in karma, I believe in commas," he winks on "Drugz."

Like most posthumous releases, R.I.C.O. features a bevy of guests, including Boosie Badazz, O.T. Genasis, and Lyfe Jennings, who sings the hook on the radio-friendly debut single "My Love." "Letter to My Father," an Auto-Tune ballad he dedicates to his father, Carl Lee Walker (who died just days before his son's fatal car crash), winds up serving as an ironic double eulogy. "We gon' walk again one day / We Walker boys right," Lo says on the songs outro. It's also proof that he was working on this final testament in his last days. The album closer "Why You Leave," reserves the LP's most special guest appearances for last, as two of Lo's children, Quando and Keke, take the baton from their father to deliver their own grief-filled verses.

Comparable to Eazy-E's Compton story, Lo occupies a special place in Atlanta's rap legacy. He transitioned from career criminal to independent record label owner, and he helped a lot of his homeboys do the same by co-founding the rap group D4L (Fabo, Mook-B, Stoney and Shawty Lo) and the independent D4L Records. During the mid-aughts, the Bankhead corridor became a conduit for mainstream rap success, creating the snap-rap dance craze that would produce a slew of groups and hits including D4L's "Laffy Taffy," which was cited in the Guinness Book of World Records in 2007 for scoring the most ringtone downloads.

R.I.C.O., however, is a working-class trap album — no superstar production, just pure authenticity. But it may be the most meaningful release to come from rap's capital city this year. The double-entendre title serves as Lo's nickname while referencing the acronym for federal racketeering and criminal conspiracy charges for which drug kingpins are often convicted. Lo's own criminal record stretched to 28 arrests and a year of imprisonment before the overnight success of "Laffy Taffy" — a song he initially disliked — changed his career path for good.

Aside from a slew of mixtapes, his only other official label LP, 2008's Units In The City, never got its just due outside of the region, or even Atlanta for that matter. But the streets loved Shawty Lo. So much so that his death inspired a campaign to have the former Bankhead Highway renamed in his honor — despite it being named Donald Lee Hollowell Parkway two decades ago in honor of the civil rights-era lawyer to Martin Luther King Jr.

In a sense, Atlanta's human rights heritage is upended by the harsh inequality that defined the Bankhead that Shawty Lo called home. "Let me take you back to 96, if you know what I mean / Real-life story; I don't sell no dream," he raps on album opener "Congratulations," laying out the obstacles he had to overcome. Today, Bankhead and the westside at large stand on the cusp of gentrification and redevelopment. And the incoming change is sure to usher in another era. From one king to another, that's the Atlanta Way.
Audio: Tha Web - "Don't Get Caught In My Web" (@rRAPpromo @1andonlythaweb)

Audio: Tha Web - "Don't Get Caught In My Web"

RRP: On this track, Tha Web is explaining how he was jacked by his manager and labelmate and how he was played by Sony Records back in the day.

Audio: @EndemicEmerald @TheRapMartyr @RusteJuxx357 - "Prison Riot" (@NoCurePR)

Audio: Endemic Emerald & Skanks f/ Ruste Juxx - "Prison Riot"

No Cure: Endemic Emerald & Skanks the Rap Martyr present their collaboration album opus entitled Rapsploitation. Producer Endemic first met Skanks in Brooklyn mid-2013 when he first touched down in NYC. The duo built on the Nostrand Ave blocks & started to work instantly as they shared a similar stance on hip hop.

Video: @Chokeules - "Murder Monday" (@HandSoloRecords)

Video: Chokeules - "Murder Monday"

HSR: Hand’Solo Records releases the Official Lyric Video for the latest single from their 20th anniversary celebration compilation Bassments of Badmen 3, with “Murder Monday” from Chokeules (Swamp Thing/Backburner).

Video: @PartTimeCooks x @SoulChef - "7:30"

Video: Part Time Cooks x SoulChef - "7:30"

PTC: Inspired by Japan's refusal to grant Black Moss a visa for PTC's scheduled tour of the country, the duo decided to turn lemons into lemonade by giving the viewer a tour of some of Tokyo and Seoul's more cultural and traditional streets.

Audio: @LandohMusic f/ Shy Grey - "Cali Dreamin'"

Audio: Landoh f/ Shy Grey - "Cali Dreamin'"

R.C.: Landoh is ready to take his talents to Cali. Bolting from his "small ass town" in Michigan in a "foreign" destined for a screaming groupie laden Hollywood is Landoh's idea of a California dream. However, he also has the foresight to recognize the potential pitfalls of being young, overeager, and naive, using Shy Grey to turn Cali Dreamin' on its head by providing the grizzled perspective of a weathered industry veteran.

Audio: @MarzMoney - "Don't Run (Freestyle)" @PRDean

Audio: Marz Money - "Don't Run (Freestyle)"

Dean: The streets of New York is buzzing over the return of Flatbush, Brooklyn's own Marz Money. After serving 7 years in prison and still doing time doing time upstate with only the weekend to come out then back in by sunday afternoon.

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Welcome to for the week of March 21st, 2017!! Please shop Amazon through RapReviews and like us on Facebook so we can bring you new material every week. This week we've got EIGHT new items: AllttA's "The Upper Hand," Banks & Steelz' "Anything But Words," an editorial on JonTron's problematic views, Steve 'Flash' Juon's The Hip-Hop Shop #418, Lord Finesse's "The SP 1200 Project," Rick Ross' "Rather You Than Me" (our featured review), a new Top 15 Public Enemy videos and Emanuel Wallace's The (W)rap Up for March 14, 2017!

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