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VP Records Celebrates Wax Poetics Magazine's Reggae Issue
Posted by Steve Juon at Wednesday, September 22nd, 2010 at 2:30PM :: Email this article :: Print this article

From VP Records:

VP Records Celebrates Wax Poetics Magazine's Reggae Issue Release in New York City and Washington, D.C.


(VP RECORDS, NEW YORK)  - VP Records teams up with Wax Poetics Magazine to celebrate the launch of their reggae-oriented edition, Reggae Issue 43, available nationwide on Tuesday, September 21, 2010.  The New York City celebration takes place at the Happy Ending Lounge on Thursday, September 23, and the Washington, D.C. soiree happens at Patty Boom Boom on Wednesday, September 29, 2010.

VP Records joins forces with Wax Poetics Magazine for their annual reggae release because it perfectly fits the label's 17 North Parade imprint, which was created to release oldies and specializes in foundation reggae music - the theme of this special reggae issue.

The NYC event will partner up with Deadly Dragon Sound's weekly Downtown Top Ranking party, and will be joined by VP Records' own Clive Chin and DJ Twice as the special guest DJs of Black Moses Sound, for this strictly foundation reggae event. This also kicks off Black Moses Sound's Asian tour, where they will spend three weeks in China and one week in Japan, spreading reggae music to the Far East.

Happy Ending is located at 302 Broome Street in New York, NY and doors open at 10pm. Patty Boom Boom is located at 1359 U Street NW, Washington,  D.C., and doors open at 9pm. Both events are free and open to the public.

About 17 North Parade

Created in 2007, 17 North Parade is a VP Records imprint that specializes in oldies, reissues and compilations of foundation reggae music. The 17 North Parade label pays homage to the historic location of Randy's Record Mart in Kingston, Jamaica. Entrepreneurs Vincent & Pat Chin operated a retail store and recording studio at that address from 1958 until 1979 when they relocated to New York and founded VP Records.

About Wax Poetics Magazine

Since December 2001, Wax Poetics has filled the once noticeable gap in music journalism, an editorial void between contemporary artists and classic greats. Through meaty, insightful commentary, Wax Poetics educates the masses about the origins of their musical interests.

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