| ![[The OF Tape Vol. 2]](../coverart/oddfuture-v2.jpg)  Odd Future :: The OF Tape Vol. 2  Odd Future/RED Distribution
 Author: Steve 'Flash' Juon
 
 
 Tyler, the Creator and his large 
rap collective known as Odd Future Wolf Gang Kill Them All (or simply Odd Future for 
short) seem to have virtually taken over the hip-hop landscape in the last 
twelve months. This has caused confusion, consternation or admiration 
depending on what part of the hip-hop audience you consider yourself in. 
A lot of the older rap generation who never caught on to the social media 
phenomenon did not see Odd Future coming, as they developed their 
fanbase almost entirely outside the traditional print, radio and video 
outlets that made new rap stars in the past. They're also more well known 
for collaborating with each other than with long-established rap stars, 
so outside of their frontman Tyler chances are you've never heard a 
cameo on an album that would introduce you to them. What really seems 
to bother some people though is their lyrics - at times purposefully and 
artfully designed to be as offensive, bizarre and disgusting as possible.
 
To be honest I'm not sure why that should be such a big deal to anybody 
who has been listening to hip-hop for more than ten years. I don't find 
Odd Future's to be any more crass than 2 Live Crew, any more explicit 
than N.W.A., or any 
more horrific than Gravediggaz. 
All of these artists caused similar amounts of concern from pundits who 
decried the decaying moral fiber of society, in disbelief that anybody 
could find such things (gasp) ENTERTAINING. Somehow that 
same outrage never applied to Hollywood movies about cannibalistic 
serial killers, Vietnam War bloodbaths, or strip club showgirls. This is 
not a soapbox for me to argue the relativistic nature of these formats 
though; I'm simply pointing out the outrage about Odd Future is overblown 
and quite honestly unnecessary. 
 
I think what many people find offensive, 
particularly within hip-hop itself, is that this group of misfits has risen 
so quickly to stardom in the music world without "paying dues." None 
is older than 24, and they've only been together as a crew for four years. 
There's a resentment that Odd Future doesn't deserve it yet. Nobody 
seems to believe they've already got a large fan base and major distribution 
for their projects, and they use the lyrics of members like Hodgy Beats 
on "Snow White" in an attempt to prove the point.
 
"Roll the weed LB, the police smell meHigh profile suite, bring them hoes to the telly - NOT!
 Bitches fuck yo' shit up worse from DMX in +Belly+
 Behind you back plannin your downfall, I thought that was your relly
 Relative, skin her ribs and eat healthy
 I belch a bitch and leave her tits on the shelfing
 I felt a bitch, she let me in, welcoming
 Fuck duct tape nigga, I like Velcro-ing
 I ain't the one to be tampered with
 I make you shit all in your pants and your Pamper, bitch
 Niggaz quick to sing a hook and make a dance up quick
 For you it's never or never, my camp's legit"
 
Not only do Odd Future relish this criticism, they outright mock it. 
Tyler's lyrics in "P" make fun of the complaints and the haters, doing 
so with another of their controversial trademarks - homophobic slurs.
 
"Let's see, what's wrong with me? Might be my fuckin Tourette's, see?I need a vacation cause all this shit got me stressing
 So after the showers with Sandusky
 Me and Sean Kingston went and rented a couple jet skis
 Lionel rolled the blunts up, meanwhile me and Lucas getting fucked up
 You can smell us +cuming+ like a faggot when he hics-up
 Listening to Common's last album to get pumped up
 So finally asked {*edited*} when I can get my dick sucked
 You know Casey Anthony, was handling
 Droppin her kids off so she could come out and dance with me
 Wine in the pantry, wrestling on my trampoline
 Learned some new chords while you uncreatives were sampling
 I'm Wolf, I spi flowt retardedly
 As retarded as the sound of deaf people arguing
 You hold the future of the kid you daughter's gargling
 Me, I have the Odd Future motherfuckin sargean'ing!"
 
The strength and the weakness of the Odd Future crew is that Tyler 
does stand out from the rest of the Wolf Gang, and in many ways. The 
deep voice and distinctive vocal delivery make him their highest profile 
member, which explains why his solo albums have found the greatest 
success out of the whole clique. He's also the best producer musically 
in the crew, making him a double threat. The bouncy layered piano 
and drums of "NY (Ned Flander)" is 100% on point. "Analog 2" and 
"Wheels 2" both sound like some quiet storm crossover R&B 
material - showing another unexpected but impressive facet of his 
production skills. The aforementioned "P" is one of my faves though; 
the synthetic sounds, off-tune broken melody and bass really 
DO suggest that OFWGKTA +is+ the future of hip-hop music. 
Nobody else makes music like this; or perhaps more accurately, 
nobody COULD and still make it compelling and listenable.
 
On the tracks that Tyler doesn't produce, Left Brain is more often than 
not hitting on all four cylinders. Left Brain's "Sam (Is Dead)" could be a 
bass rattler from any hardcore Bay Area rapper, "Bitches" sounds like 
something minimalist Kid Cudi or Lupe Fiasco could flow to, and 
"Rella" (another fave) is that kind of techno thump Odd Future's fans 
relish. Production will carry the Odd Future crew a long way, because 
they can follow the traditional hip-hop formats when they feel like it, 
or go completely off to the left and do things nobody else does in rap. 
In some ways they strike me as being California's equivalent of Kool 
Keith - self-produced, unconventional, and poised to have a cult 
following that will last for years even if their mainstream star fades. 
My only concern is that Odd Future without Tyler would be like 
Leaders of the New School without Busta Rhymes - irrelevant. 
There's hope for Hodgy Beats and Mike G among others, but they're 
not stars on Tyler's level. With him Odd really is the Future, and 
without him they'd probably not get near the amount of press they do.
 
Music Vibes: 7.5 of 10
Lyric Vibes: 7 of 10
TOTAL Vibes: 7 of 10
 
Originally posted: April 10th, 2012source: www.RapReviews.com
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